Kingdom: Movie
      Phylum: Coming of Age
      Class: Sex Comedy
      Order: Loss of Virginity
      Family: Road Trip
      Now that you've seen the Linnaean classification for the film, you 
      don't need to know much more, do you? You can already answer any questions 
      I ask you about the plot. I'll give you an example:
      Info: Our 18-year-old virgin hero sets off 
      on a long road trip to meet the girl he has gotten to know through the 
      internet. Tagging along with him are his two best friends, a boy and girl 
      he has known for years. You know all of this in about the first five 
      minutes of the film.
      Question: Which girl will he end up with, 
      100 minutes later?
      See what I mean? You don't need me at all.
      At first I thought that the film's overall premise was weak in the 
      credibility department, even by the standards of teen sex comedies. I 
      mean, would a guy travel 1000 miles in his brother's car (borrowed without 
      permission, natch) for one night with somebody he only knew from an 
      internet chat room? And then I thought back to when I was a virgin. OK, I 
      know what you're thinking. We didn't have the internet back then, but we 
      still formed friendships by telegraph. Most of us had severe calluses on 
      our index fingers. And OK, I couldn't drive when I was a virgin, but I 
      would have taken my Schwinn 1000 miles if I thought it would pop my 
      cherry, although it would have taken me a week to get there. So I guess 
      the premise is reasonable, after all. We should not debate that, since the 
      film is part genre film and part genre spoof, so it assumed plenty of 
      comedic license.
      At any rate, things progress predictably. In true American Pie fashion, 
      the film presses the usual buttons in trying to balance guy-movie raunch 
      with date-movie syrup. Usual stuff. 
      It has three elements that are both original and effective:
      1. Seth Green is a hoot as an Amish guy they meet along the way. He has 
      already spent some time out in the world and has returned to the Amish 
      community, so one of the main characters asks him what he misses most 
      about the modern world. His answer, "Sarcasm." Is he, in fact, being 
      sarcastic when he says that, activating a true post-modernist mode? Not at 
      all. That is the only sincere thing he says in the entire movie. 
      Everything else is full of humble, gentle Amish deference - and it's 
      obvious he doesn't mean a word of it. Or does he? That's the great thing 
      about sarcasm when it you use it properly. Nobody knows when you are 
      sincere.
      2. One of the hapless losers gets laid constantly. He's a dweeby-looking 
      guy with a flabby body, unkempt hair, and thick glasses. He's not 
      particularly rich or intelligent, and he doesn't trick women into having 
      sex with him. The teen movie cliché would be to explain that by the size 
      of his penis, but this film doesn't go there. The guy just has game: 
      confidence, humor, flattery, humility, a good nature, an unwillingness to 
      accept failure, and the ability to close the sale. He's the character we 
      all know, the douchy-lookin' guy who always scores with the hottest 
      chicks, although nobody can figure out how. The real world is full of 
      these guys. There is even a website called
      
      hotchickswithdouchebags.com which chronicles their adventures so those 
      of us outside the club can marvel at their amorous conquests. But the 
      movie world has always ignored the existence of such people, perhaps 
      because we don't like to pay for a ticket to find out that women just like 
      some other guys much more than they like us, and it's not because of some 
      magic like a 13-inch rod, but just because we are too lazy or too 
      unlikable to match their successes. 
      Ouch.
      3. The film has a clever running gag about the internet. As required by 
      the road trip genre code, our adventurers go through many mishaps and 
      embarrassments on their way. Every time they make fools of themselves, 
      someone is there with an iPhone. They end up immediately on sites like 
      YouTube and othercrap.com, under 
      headers like "tearful abstinence plea gives boy massive woody." Starting 
      within minutes after each mishap and continuing throughout the film, 
      everyone in their path recognizes them from popular blogs and YouTube 
      videos.
      The film's weakest point is that it lacks the really appealing female 
      nudity which is a necessary component of a classic teen sex comedy. There 
      are three main female roles: the hot Amish chick and the internet 
      girlfriend do topless scenes in which the camera hides the important 
      stuff, while the best friend chick shows absolutely nothing.  For the 
      record, both male leads show their bums, but the only female nudity comes 
      from anonymous dancers and (Amish!!) revelers. I think we all know that 
      the most memorable thing about Fast Times at Ridgemont High was the nudity 
      from Phoebe Cates and Jennifer Jason Leigh. One of the most memorable 
      things about American Pie was the would-be sex scene with the topless 
      exchange student. The hilarious Not Another Teen Movie, riffing on 
      American Pie, features Cerina Vincent completely naked all the time, 
      because she's an exchange student and nobody wants to impose American 
      cultural values on her. C'mon guys. You have to provide nudity from the 
      characters we get involved with. Major rule of the genre. If the girl next 
      door had been played by Alba, and she had done a topless scene ala Phoebe 
      Cates, this would have been the most talked-about film of the year. 
      Sex Drive is currently rated higher than American Pie or Risky Business 
      at IMDb, as high as Better Off Dead, and just a hair lower than Fast Times 
      at Ridgemont High, thus ranking it as a genre classic. While I don't agree 
      with that assessment, I think it demonstrates that the film plays 
      extremely well with its target audience. As for my own opinion, I'd say 
      that it's not as good as Risky Business or the original American Pie, but 
      better than most, if not all, of the Pie sequels. That would not make it a 
      genre classic, but still a pretty funny, pretty raunchy, and pretty smooth 
      little flick, assuming you go for this sort of entertainment.